Shi Senbin, whose work has won the Guinness Book of World Records, uses "big beauty" to describe the aesthetic characteristics of his work.

Lao Tzu said, Dao is great, heaven is great, earth is great, and people are great. The original meaning of "big" contains the characteristics of the Tao in the human heart. In addition to the large area and volume, it also has the momentum to carry time and space and tolerate sentient beings. "The great beauty in the work is, on the one hand, my own character, on the other hand, it is also the creation of the factors of the times." Shi Senbin explained. In the long run, the evolution of beauty is controlled by all aspects of society and humanities, especially the support of technological ideas. The continuous optimization of the ratio of materials used in Liuli, the equipment platform, the experience of integrating with large-scale infrastructure projects and other factors of the times have made the "big beauty" of Liuli become the general trend, and then with the hands of the craftsman, the beauty of craftsmanship has become abruptly open. The breath is majestic.

In addition to works that use architecture and space to carry performance, Shi Senbin now hopes that Liuli can be presented in an independent artistic language. "The expressive power of Liuli is very strong. When creating, it is full of imagination and surprises." In the eyes of this old master, Liuli has its own artistic language system. Although the color and luster, the position, and even the movement and texture of the color flow can be designed in advance, all artificial settings must be integrated with the gas and liquid moving in the glass itself during the kiln firing. Therefore, it will never be possible. Precisely preset the final product. In control and uncontrollable, between likeness and dislikeness, is the charm of Liuli language, not just the charm of all artistic creations.

"Liu Li has an uncontrollable spirituality, which is very similar to Chinese ink and wash art. I am now creating a series of works that use colored glaze to express ink and wash art." Ink and wash are specific to "ink", but the key is "water." The momentum of this smudge is exactly the "spirit" of ink and wash, and only the vivid aura in colored glaze can be expressed. Shi Senbin showed us an ink-wash series of colored glaze works, deliberately using focus light to illuminate the local details. The ink in the colored glaze is light and elegant, but it is subtle. When firing, the ink that is scattered by the charm is like a writing brush. The rush or slow brushstrokes, and the faintly visible tiny bubbles, seem to be able to feel the dynamics of the water flow before solidification, and people can't help but breathe.